Artwork at Gallery 114 in the Pearl District showcases homelessness and the Syrian refugee crisis
Artist Mary Jo Mann was looking around her neighborhood in Southeast Portland for inspiration during the spring and summer of 2016. She’d walk up and down alleyways in Ladd’s Addition and ride her bike along the Springwater Corridor toward Sellwood.
She began to notice weeds growing out of cracks in the sidewalk and the crevices of buildings – places where ornamental garden species were unlikely to survive.
“It was interesting because some of these weeds, they didn’t need a lot. They managed to find their way in very difficult kinds of places and do OK,” she said.
She realized that despite their categorical ostracism, these weeds were dazzling in their own manner.
She began to collect specimens, clipping the weeds, and sometimes pulling them out by their roots, to take back to her home studio so she could paint their likenesses with ink and fluid acrylic.
As she sought out these little garden invaders for inspiration, she also happened through homeless encampments and passed by people sleeping in doorways and under overpasses.
“At some point, I began seeing a connection between the weeds and the homeless,” Mann writes in her artist statement. “The fact they somehow survived though living on the outside with minimal nourishment, in places that aren’t conducive to surviving. As with weeds, our homeless neighbors are often rejected and seen as unsavory and unwanted. I came to realize that as Ella Wheeler Wilcox stated in her poem ‘The Weed,’ ‘A weed is but an unloved flower!’ Unlike weeds, I came to see that living on the outside takes a toll on fellow humans.”
She began to take photographs of the camps, while chatting with their inhabitants. Eventually, she worked abstract representations of the tent cities into her series on weeds, now titled “Un-Becoming.”
While Mann earned a bachelor’s degree in fine arts from Seattle University, she spent her career working as a software developer at Standard Insurance in the heart of downtown Portland. She was accustomed to seeing people who lived on the city’s streets as she went to and from work on a daily basis. She noticed, however, that the homeless population seemed to “mushroom” over the past five to six years, she said.
Now retired, she is focusing on developing her artistic abilities but has also tried to understand issues around homelessness. She volunteered her services at p:ear, a drop-in center and art studio for homeless youths, and has donated some of her paintings to Central City Concern’s Healing Through Art Collection. It’s a collection of nearly 100 original pieces of fine art from Pacific Northwest artists that decorate the nonprofit’s housing and homeless service facilities across the metro area.
In October, Mann’s “Un-Becoming” will be showcased at Gallery 114 in the Pearl District . The gallery is a cooperative owned and operated by 11 artists who take turns exhibiting.
Mann has invited Horatio Law, a professional artist and Pacific Northwest College of Art faculty member, to exhibit alongside her.
Law specializes in public art pieces and using unconventional materials to create his often large-scale, three-dimensional works.
He will feature two series he described as “two sides of the same coin.”
“Burnt Offerings” features a grid of 25 faces of Syrian refugee children, taken from photographs Law found on the internet.
A lightly charred origami butterfly accompanies each child.
The idea came to Law, in part, from an artist residency in Sisters near the foothills of the Cascade Mountains. The surrounding forest had been ravaged by wildfire several years earlier and was in recovery.
“It was an inspiration to see the force of nature and also how living organisms endured this fire, and they sprung back, and all things recover after the fire,” he said.
The project is also personal. Both of Law’s parents were Chinese refugees who fled the Japanese during World War II, landing in Hong Kong, where Law was born. He remembers his parents talking about the hardships of fleeing, of being in an occupation and of trying to escape.
“A lot of them look very cute, and photogenic,” he said of his young Syrian subjects. “But we don’t know what they suffered through and what kind of internal damage they have.”
Law balances the tragedy he’s displayed with “Stargazers.” This, too, features photographs of Syrian children, but this time he has overlaid their faces with constellations, such as Pleiades and Orion, drawn with plastic gemstones.
He imagines that as the children are fleeing with their families in the night, traveling over desert and over sea, they have hopes and aspirations about the new place they will call home. When they look up, they see the constellations twinkling in the sky.
“Children experience the same thing as adults in terms of the hardship, but they have an imaginary world to them,” he said. This part of his series, he added, “is about imagination, about hope, about dreams.”
If you go
What: “Un-Becoming,” “Burnt Offerings” and “Stargazers” exhibits
When: Showing Oct. 5-28, 2017; artist talk at 3 p.m. Oct. 21, with light refreshments
Where: Gallery 114, 1100 NW Glisan St., Portland
