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“Surviving S-21” is a series of paintings by Cambodian artist Vann Nath that depict his experience in a Khmer Rouge prison. (Art by Vann Nath)

Undercurrents: A periodic look into Portland’s offbeat galleries

Street Roots
'The Resiliency of Cambodia'; Doug Benz at the Energy Bar
by Mary Pacios | 23 Feb 2017

In Portland, a city teeming with artists, there remains a dearth of art galleries able to accommodate all the varied and often gutsy art work. Unique spaces such as cafés, churches, theaters and pot shops have stepped up to fill this gap. I have shown my work and curated printmaking exhibitions at a few of these venues. This art column will highlight some of the current work being shown and, I hope, inspire people to seek out the gems in off-beat locations.

• "The Resiliency of Cambodia," hosted by the ArtReach Gallery (First Congregational Church, Southwest Park at Madison) is, in part, a heartbreaking exhibit. “Surviving S-21," an emotionally devastating series of paintings by Cambodian artist Vann Nath, depicts his experience in a Khmer Rouge prison and stands in stark contrast to the spirit and renewal of life and culture captured by Cambodian photographer Vann Channarong, Swedish photographer Anderson Jiras, and Portland photographers Peter Im and Chanly Bob, a Cambodian refugee who became a naturalized citizen. This exhibit, rounded out with the meditative photographs of Angkor Wat by expat John McDermott and Portlander Sandra Banister, sends an important message of courage and hope. Ends March 25.

Artwork by Ona Pitschka
Ona Pitschka’s deft pencil sketch, “The Mermaid."
Art by Ona Pitschka

• Emphasizing shapes and patterns, the austere photographs of Doug Benz at the Energy Bar (Southwest Park Blocks at Clay Street) bring a fresh look to familiar Portland buildings. “Ladd Tower with Daytime Moon” stands out for its Zen-like quality, while “Ghost in the Glass” shows a bit of playfulness and humor. Ends Feb. 28.

Mary Pacios is a printmaker, painter and published author living in Portland.

 

Tags: 
Undercurrents, Art and Literature
  • Print

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